News for January 2013

The Next Big Thing

I am delighted to be a part of The Next Big Thing, the “authors and the authors who love them” weblog chain in which I answer questions about what I’m working on and get to introduce you to two gifted friends and writers. Ruth Ozeki tagged me for this, and her long-awaited novel, A Tale for the Time Being, is coming out in March.  I got a sneak peak at it in close-to-final form, and I can say that, much as I loved her first two books, this novel of tsunamis and Hello Kitty lunch boxes, mysterious diaries and hundred year old Buddhist nuns is her best and worthy of all the accolades it is getting and will get.  Buy it.

And buy the books I am recommending below by Sherri L. Smith and Bhanu Kapil (more on them in a minute).  There are alternate universes out there that only someone else could dream of and they are waiting for you!

On to the questions.

What is the working title of your book?

I have two books, actually.  Shadow Child is an adult, literary novel, the one Ruth mentions in her blog.  It’s also the one Sherri helped me with at Hedgebrook without ever reading a word of, and that Bhanu has heard pieces of at Goddard College, where we teach together in the MFA Program for Creative Writing and where we occasionally tromp through the woods. So I guess I should talk about that one.  But just so you know, there is another book out there, a fantasy series called The Matrix of Fear, which may come out first…

What is the one-sentence synopsis of your book?

When her twin sister is brutally attacked, Hana Swanson is forced home to Hawaii, where she must uncover her dead mother’s secrets (her mother is a Hiroshima survivor), reclaim her own stolen identity, and confront the truth of what happened in a cave in high school where one of the twins was left for dead.

Sounds dark.  Okay, it is dark.  But mysterious and exciting.

How long did it take you to write it?

Somewhere between four and thirteen years, depending on how you count.  And still counting. I started Shadow Child in 2000, when it was just the story of the twins, and had about half a draft when I left for Japan in 2001 to research the character of their mother, Miya, who was to have her own book.  My life derailed on that trip, and long story short, I spent the next seven years working on a memoir about Japan.  The memoir went through many revisions (from terrible diary to memoir, to fiction, to hybrid, and back to memoir…) and,  in the background, Shadow Child became a single novel.  In 2010, I went back to it, and I am now trying to braid the stories of each twin and their mother together into a cohesive whole.

Who or what inspired you to write this book?

“Who” is my great-aunt, Mary Hamaji. I interviewed her about the Japanese American internment camps for my first novel, Why She Left Us, and she told me about her experience working for the American Occupation in Japan after the war and the effects of the atomic bombings on Hiroshima and Nagasaki.  Her stories eventually inspired Miya, who survives both the internment and the bombing.  And those stories eventually took me to Hiroshima, where I lived for six months.

“What” is Hawaii.  I grew up there and, though I have lived in New York now for more years than I admit to, I still find my imagination returning to the Big Island.  The town of Hilo offered itself as a setting for the story.  Hilo was devastated by two tsunamis, one in 1946 and one in 1960, and is quite close to the active volcano, so the setting is a character in itself.  I did a lot of research in Hilo, spent a good deal of time in the Pacific Tsunami Museum, and interviewed a number of people who lived there in the 50’s and 60’s.  In the end, though, Shadow Child is set in an unnamed city that isn’t exactly Hilo, mostly because my story is not historical fiction.  I didn’t want to inadvertently redefine the very real events that took hundreds of lives in Hilo with my fabrications.

What genre does your book fall under?

Literary fiction.  Early on, an editor suggested I make it a thriller or a mystery, and I spent months trying… It didn’t work.  The whole point of those genres is that everything is neatly wrapped up and revealed in the end, and that has never been my interest.

Which actors would you choose to play your characters in a movie rendition?

This is always the problem.  The book is set in Hawaii, and therefore peopled by a multi-ethnic cast.  But Hollywood isn’t filled with Japanese/Caucasian, Japanese, Hawaiian/Polynesian or even many Hapa actors.

For Miya, I would choose Tamlyn Tomita, one of the few Japanese-American female actors in Hollywood.  Poor Tamlyn has the honor or dubious distinction of being cast for just about every “Japanese American woman in the WWII internment camp” role in mainstream movies. I can’t help her there, but I would still choose her.

For the twins, Hana and Kei, a young Hapa actress.  Maybe Janel Parrish or possibly Kristin Kreuk.

What else about your book might pique the reader’s interest?

I mentioned my fantasy series, The Matrix of Fear.  An entirely different story, different characters, different world, different tone, and yet…  Both Matrix and Shadow Child feature a set of twins.  In both, a cave functions as a central feature and a place where momentous events happen, and both take place in a tropical island paradise…  What’s with all the parallels?  I have no idea.  But maybe when both books are published, someone will read them and tell me.

And now, for my tags:

Sherri L. Smith.  The author of the acclaimed young adult historical novel Flygirl (which made me cry), Lucy the Giant, and others, turns her considerable talents to dystopian fantasy in her new book Orleans, due in March.  Kirkus calls it “harrowing and memorable” and promises it will keep readers up long past their bedtimes.  I have yet to read the pages, but Sherri and I have talked and talked of this book and its characters…and the sequels!  Let there be several.  Look for her answers next week here.

Bhanu Kapil.  Unicorn, healer, teacher, champion of monsters, experimental writer who travels to the places where her characters die and lies down in the same rectangles of earth, Bhanu’s fifth book, BAN, is out of the incubator and in the hands of a prospective publisher.  Light a candle for this book, a novel of race riots in notebook form that has also been inhabited not just in her mind space, but through the body: performed. Look for her answers to these questions here.

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Last thoughts on Goddard

As I put the snow and icicles of Goddard behind me for another semester, I was thinking about the question of whether one can teach writing. I don’t know if we taught it, or whether we simply lived it, all together, for the last eight days. I come home filled by my colleagues who have been writing in the world: Kyle Bass who put together the beautiful Cry for Peace with Ping Chong, drawing on the lives of refugees from the Congo; Susan Kim who has been collaborating on a dystopian young adult series and working with caretakers and medical staff who are supporting our veterans; Kenny Fries, poet/memoirist who wrote an opera this year; John McManus, whose novel-in-progress about gay refugees in Uganda just received a Creative Capital grant…etc., etc. fourteen times for the fourteen faculty who shared the residency with me.

I have also carried with me the work of my students, their questions, their struggles, their imagination, the high bar they set for themselves.  This semester, I asked the graduates for their graduation speeches (at Goddard, every graduate give his or her own speech).  These few snippets will show you why I love Goddard and what makes it special:

They said,       “This has been an incredible journey.”

They said,       “This means the world to me.”

They said,       “We are leaving our incredible faculty, brilliant talents themselves, who truly care about the likes of us, who utilize equal parts love and cattle prod…but we’re taking each other.”

They said,       “This place is magic.”

If there was a slogan I could put in an ad for Goddard it would be this:

“This place is magic.”

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Seeing

We walked in the woods at Goddard, looking for a cliff to look out over, and we found different way to see – through Bhanu’s cracked, taped phone.  What she says, on her own blog (click the picture), is this:

I know that it is important to veer, and keep veering, until you reach an interior that does not correspond to the imagination.

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Posted: January 11th, 2013
Categories: Goddard, Random Thoughts, The Writing Life
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The daily icicle

From Goddard, where today Susan Kim, Kyle Bass and I will be talking about the writer in the world, then I will be moving on to a session on emotional structure.

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Posted: January 8th, 2013
Categories: Goddard, Random Thoughts, The Writing Life
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Good morning from Goddard

Where we are talking about death and time and the body and trauma and love and witness and healing…and writing, always writing.

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Posted: January 6th, 2013
Categories: Goddard, Random Thoughts, The Writing Life
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